Sony Xperia PRO-I "Real New Camera Experience Conference" has ended successfully. Thank you in advance for the support of the netizens who participated in the day. Remember to release the experience article before 12/12! Jim is also honored to be invited to be a lecturer at the camera field this time, so he also got the Xperia PRO-I and experienced it for a few weeks in advance. Compared with the Android flagships he has used, the PRO-I gives me the same experience as the RX100 . The series, the original image is rich in details and the hair color is closer to the tone of the camera. This article will first share with you the process of the day of the experience meeting, and finally provide Jim's own experience and real photos for everyone!

PRO-I has a camera module with three focal lengths. Different equivalent focal lengths of BP5845W can bring different perspectives. With AI super high-resolution zoom, it can meet the needs of multi-stage zooming, but remember that 24mm is the main lens (1" CMOS )Yo!

In this scene, I am shooting RAW+JPG, and the left side of the picture is the photo from JPG. There is almost no detail in the cloud layer. The foreground is also dark because of the backlight, but I adjusted the brightness and white of the 12 bit RAW through Lightroom CC. After balancing, it is like reborn, not only the details reproduce the color but also more pleasing. My own Android also supports RAW shooting, but the latitude can only be said to be marginal, which is completely different from the practicality of the PRO-I's RAW files.

Although the 1-inch sensor area of PRO-I is not used to 100%, of course, this is also limited by the size and structural design. You can think about the thickness of the RX0 series, but don't think that PRO-I is no joke! The picture above is a close-up control group with a 24mm main lens, the picture on the left is the actual optical depth of field, so the background can be seen with blurred bokeh, and the picture on the right is the built-in bokeh simulation function in the menu. Flaws can be detected at the edge of the CMOS, which is also the advantage of 1-inch CMOS.

XQ-BE72 24mm ISO100 f/4.0 1/3s.

PRO-I has built-in manual exposure function, which can customize aperture, shutter speed and sensitivity. It is also a piece of cake for handheld long exposure with optical anti-shake, but please note that only 24mm and 50mm -ic/" title=" 50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model ">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model"> 50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm- ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/" title="50mm model">50mm-ic/ " title="50mm model">50mm built-in optical anti-shake!

The above photos are all taken with a 24mm main lens. The closest focusing distance is about 8 cm. The bokeh effect of out-of-focus bokeh and the details of the cilia of ferns. You can click on the original image for reference. Jim is in this article. The real shot samples provided are all JPGs straight out of the fuselage, and the effective pixels are all 12 million.

The above is a close-up performance of the food. It is also the work of the 24mm main lens. Whether it is the oil flower on the grill, the details of the prawn on the plate can be faithfully restored, and the pasta can still be brought out at such a focusing distance. I am very satisfied with the blurred feeling of the front and back scenes.

It is also the work of the 24mm main lens. In fact, I used to show one by one for everyone to see, but I still want to share a little experience, so I use a picture group to present it, and the result of using the main lens to interpret landscape photos also makes me quite Satisfied, just looking at the image quality of the photo is difficult to put it together with a smartphone. Although the pixels are only 12 million, there is no feeling of being "wiped" at all. The tonality of the image is like a camera, rich fine details, pristine colors, accurate white balance, and more flexibility if you want to post-production after the fact.

These two night scenes were shot in Basic auto mode by hand. At this time, in addition to the advantages of the 1-inch sensor, PRO-I can also provide computational photography to support it, so as to achieve the effect of stabilization and noise reduction. In the left picture, I didn't notice that the sensitivity had soared to ISO 4000. After choosing the picture, I was surprised that the effect of this night shot was too strong; the right picture is a hand-held night scene photo before leaving the company after working overtime until more than 2:00 in the morning. Although it is shot through glass, the practicability of ISO 1000 is still there. It is recommended to click on the big picture to see it.